
We met as a group this morning to talk about our breaks and also the situation with the bombs that were found at Piccadilly Circus. Basically Bill and Ashley told us to just stay alert as always, and to try and enjoy the rest of the trip. I’m glad I got most of the touristy stuff I wanted to do done earlier in the summer because I didn’t want to be going to any crowded places anytime soon.
We headed over to the studio of Morag Myerscough who is a multi-disciplinary graphic designer. Her studio was a great space, and I felt totally at home with all the clutter. I decided to write my paper on her which basically sums up my time at her studio, so here it is:
It didn’t occur to me at the time that Morag Myerscough had changed my perception of design, but looking back on it I know that she did. I remember stepping into her studio and instead of feeling overwhelmed by the books and the clutter, I felt at home. The massive screen prints that hung crookedly on the wall, the plush patterned pillows piled in corners next to expensive China teetering on the edge of tables, the hot-pink tubular lighting hanging from the ceiling; I could live in this kind of organized disarray forever.
Morag Myerscough started Studio Myerscough in 1993 and it has since become one of the most respected and sought after design studios in the UK. She herself runs the studio and has two to three designers working under her at one time. When she can’t do something in-house, she knows exactly where to go to get the job done through the network of contacts she has built up over the years. Her cross-disciplinary approach to design keeps her work original, and also means that she hasn’t fallen into one type of work and one type alone. She once said, “Challenges keep my design fresh and I am always open to the unexpected. I never approach a job with any preconceptions; it is important to find the best way to work on a project and not be constrained by set formulas from the outset. I relish in productive collaborations and trust.”
Her work can be seen all over London, Her most recent success being the branding for the Royal College of Art’s Great Exhibition, in which she designed everything from the logo to the building the show was housed in. She has done work for the Design Museum, the Barking Learning Centre, Derwent London, Westminster Academy, and that’s all just in the past year! Even when she takes on an annual report, which can be dry and boring, she finds a way to liven it up, making it really interesting piece of design work. When we visited her studio there were printouts all over the wall of poster designs and logos for the city of Barcelona. I had just returned from there and typography and colors brought me right back. The pillows and dishes I talked about before were all for a hotel that she was branding through her choices in home goods and product design.
A few years back Morag took her love for graphic design to a new level, opening a store/gallery in her own home called Her House. In this store Morag displayed and sold work from new emerging artists who may have had trouble finding gallery space elsewhere. She presented these works to the public as a part of her personal lifestyle, and even developed new products under the Her House brand. Although the store is no longer open, at the time it was a staple for new and innovative home and design products. She proved that as a designer you don’t have to be stuck in one facet of design, and that branching out is very possible.
At the time we visited Morag she was very honest about the fact that she works long hours, and spends most of her time in the studio. She is not married and does not have children. In our society there is a tendency to feel bad for people who work all the time and don’t raise families, but the truth is everyone has different goals and standards for what makes them happy. As a female heading into this uncertain industry, I truly wonder if there is a happy medium, although I already know the answer to my own question.
I won’t know what I am capable of until I try. If I have the drive, the talent and the passion, and I make good decisions, I know I can make something of myself. I am young and in a position where I am only responsible for my actions and no one else’s. I don’t have to worry about what I can handle in the future; I just need to worry about how creative I can be now. Seeing Morag’s work spanning all different criteria was so inspiring to me, and for the first time made me realize I don’t have to conform to something I am not. I don’t have to force myself to pick a specialty if I’m not ready. I have so many ideas that I will never be able to express the way I want to if I am constantly trying to make them fit into a specific category.
I am determined to spend my senior year channeling my creativity in the right way. If I can truly be interested in what I am doing, I know I will be better off. I know what it’s like to go through the motions of getting work done, and with one year left I’m ready to hit the ground rolling, but also to slow down and spend my time wisely. Seeing Morag’s success was not what inspired me. It was seeing that she is out there in the real world, doing what she loves to do. There are so many so many different ways to be creative, and instead of choosing just one, I want to make my own path that combines them all.